Early in June, 1827, he was elected a member of the musical society of Vienna, and in 1828, produced his marvelous “Symphony in C”, his “Mass in E flat”, an oratorio, a hymn to the Holy Ghost, a string quartet, a “ Tantum Ergo” in E flat, and a lovely “ Benedictus” His last appearance in public was on November 3, 1828, when he went to hear his brother’s new “Requiem”: he died a fortnight later, and his obsequies were celebrated in the little Chapel of St. He subsequently wrote an opera, a number of songs, and the second part of the “Winterreise”. In 1827 he was gratified with a eulogy from the dying Beethoven, whom he visited in his last illness, and whose remains he followed to the grave. The three Shakesperian songs of 1826 are still of interest. His glorious “Ave Maria” dates from 1825, apropos of which he writes that at the time he was filled with overpowering devotion to the Blessed Virgin. His productivity from 1821 to 1824 was enormous, “Rosamunde” and his “Mass in A flat” being of permanent value. He conducted the music at high Mass at the Altlerchenfelder church on Easter Sunday, 1820, and in the same year produced an Easter cantata and an opera. His compositions for 1816 include a “ Salve Regina“, a “ Stabat Mater“, a “ Tantum Ergo“, and a “ Magnificat“, as also two symphonies, and some delightful songs, including the “Wanderer”. His famous “Erl King”, dates from November, 1815, as does his “Mass in G”-wonderful for a boy of eighteen. During the same year he produced a symphony and a “ Salve Regina“, as well as some songs and instrumental pieces. Schubert conducted the second performance at the Augustinian church on October 26, his brother, Ferdinand, presiding at the organ. Competent critics have pronounced this mass as perhaps the most wonderful first work by any composer, save in the case of Beethoven’s “Mass in C”. His “First Mass in F” was finished on July 22, 1814, and performed by the Lichtenthal choir under the direction of Holzer. He left the Choir School in November, 1812, and took up work as a schoolmaster in order to avoid conscription. During 18 he produced many instrumental pieces, also a “ Salve Regina” and a “Kyrie”. In October, 1808, he entered the Imperial Choristers School, and soon gave evidence of extraordinary musical genius as a composer, his first effort being a pianoforte duet, early in 1810. He studied under his father, and subsequently under Holzer and Salieri, and in 1807, was first boy soprano in the Lichtenthal choir.
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